VIA DEL BABUINO

It was Pope Clemente VII who opened ancient "Via Clementia" in 1525. Then, during the pontificate of Paul III (1534-1549) this still unurbanized street surrounded by horti was called "via Paolina", in the Pope's honor. The present name, "via del Babuino", was given to via Paolina in the late 16th century when Patrizio Grandi, a rich tradesman from Ferrara, having obtained the water for his home and horti - thanks to the practice established by Pope Pius IV Medici (1558-1565) according to which when a Pope granted water to an individual, that, at his turn, had to build a public fountain close to his estate at his own expenses - built a public fountain for the neighboring population.

The statue of Silenus, rising above the roman rectangular gray-granite thermal fountain basin donated by Grandi did not appealed to the people who identified its traits with those of a "baboon" (in Italian baboon is babbuino, resembling to the name of the street): therefore, since 1581, ancient via Paulina has changed its name and has become Via del Babuino.

As a matter of fact, the statue represents Silenus, which, according to Rome mythology, was the son of Nymph and Mercury or Pan, and the teacher and faithful companion of the wine-god Dionysus whom he followed in his wanderings. Silenus was usually portrayed as a plump jovial old man with a long beard and stump nose, bald and with a horse's tail, ears and hooves.

The "Babuino" is one of Rome's well-known "talking statues", used by Romans as early as in the 16th century to raise humoristic objections to arrogant and corrupted ruling classes. At night, bold citizens posted satirical messages and claims in the most crowded areas of the town. They posted poems, humorous dialogues and compositions in verse ridiculing or otherwise blaming the behavior of the popes. The authors did not run the risk of being caught since people used to read them before the guards removed them.

Via del Babuino, rich in 17-18th-century palaces - from Righetti to Boncompagni-Cerasi, from Emiliani to Neimer, Saulini, Raffaelli (one Valadier's works) and Sterbini - was the artists' street.

Salvator Rosa and Goethe, Poussin and Rubens chose it as a dwelling place and, in the 17th century, a flourishing colony of Dutch and Flemish painters came to live here and in the adjacent Via Margutta.

 

Trilussa was born here in 1891 and Princess Caroline de Sayn-Wittgensteim, who had left his husband to follow Franz Listz, wanted to live in via del Babuino.
In the 20th century, via del Babuino became the antiquarians' street with names like Eugenio di Castro, the so-called "Bersagliere" (one of a class of riflemen or sharpshooters in the Italian army), and renowned Roman poet. Today, prestigious antiquarians still have their shops here: Antonacci, Apolloni, Di Castro's successors, Carlucci, Lampronti, Di Nepi, Ferrante.

The shift from antiquarians' street to the street of fashion occurred during last century. The factors that have contributed to via del babuino's conversion are the new arrangement of Piazza del Popolo that, cleared of cars, has become a wonderful and magnificent drawing room, the prohibition of car traffic and the re-opening of prestigious Hotel de Russie, ancient residence of poets and writers and today's first choice of VIPs and authorities. The first maisons to appear in via del Babuino are Emporio Armani, Kenzo, Etro and then Chanel, Valentino and Prada. Big names of the jewelers' and silversmith's industry like Tiffany, Chopard, Ansuini, De Crisogno, Giansanti and Pomellato appear between one boutique and the other.

THE "TALKING STATUE" OF BABUINO

Pope Pious IV Medici (1558-1565) established the habit of the fountains known as “semi-public” when the pope granted water to those private citizens who promised to build and pay for a public fountain near his property. The name of Via del Babuino was changed to Via Paulina at the end of the 16th century when a rich merchant from Ferrara, Patrizio Grandi, obtained water for his property and fields by building a public fountain in the area. A statue of Satyr stands over the rectangular, grey granite, Roman thermal basin. Grandi donated it but the people did not like it and likened its features to a baboon so in 1581 the road changed its name to via del Babuino.

 

The Baboon is one of the famous Roman “talking statues”.

STUDIO TADOLINI

If you want an insight into how master sculptors really worked, there is no better place to get it in Rome than in the Canova-Tadolini Museum at Via del Babuino 150a. This is no "museum display", but rather the actual atelier or workshop that was used and lived in by Antonio Canova and then by four generations of the Roman Tadolini dynasty of stone and metal sculptors -- Adamo (who was Canova's student and then collaborator), Scipione, Giulio, and Enrico Tadolini.

The atelier was in use from the early 19th century through the 1960's and was reopened as a museum on October 18, 2000. Although the museum has only a few completed works by its illustrious inhabitants, it is chock full of their work models including many that are full scale. You can view them from a distance of just a few inches -- something you can never do with the finished products in bronze or marble, because they are up on high pedestals or behind velvet ropes. Also on display are the tools of the sculptors' trade, large albums of photographs that you can leaf through, and a mezzanine with hundreds of human and equine anatomy models, including the work models for the Paolina. The apartment above is also open for visits, but it is almost completely unfurnished -- a few additional sculptural works are on display there.

Canova's works are well known -- the most famous is his "Paolina Borghese" (which Canova labeled "Venere Vincitrice" -- "Venus the conqueress") on display at the Villa Borghese Museum here in Rome. Other Canova works grace the best museums worldwide. The Tadolini sculptors are less well known outside scholarly and artistic circles, but they were worthy and quite successful successors of the neo-classical tradition that Canova started.

Their works are spread around the world: three castings of Adamo's Simon Bolivar Equestrian statue are in Caracas and Lima and in Piazza Bolivar next to the Modern Art Museum in Villa Borghese in

 

Rome; Scipione's St. Michael is at Boston College (Gasson's Rotunda); Giulio's Leo XIII is in St. John Lateran here in Rome; Enrico's statue of St. Frances Cabrini is in St. Peter's -- and there are numerous others.

The Canova-Tadolini Museum is operated by the nearby Gallerie Benucci. It's very easy to find -- on the west side of the street and halfway between Piazza di Spagna and Piazza del Popolo, and the Babuino statue is right next to its front door. It is open Tuesdays through Saturdays from 10 AM to 1 PM and from 3 PM to 7:30 PM. The ticket costs IL8,000 with a reduction to IL6,000 for groups of ten or more. The upper levels are not wheel-chair accessible, but there is a great deal to see on the ground floor.

BENUCCI ART GALLERY

A cultural center guesting both popular Italian and international artists, whose pieces range from ancient art, till modern and contemporary ones, embracing painting, sculpture and design.
In this environment the piece of art is not deprived of its function, like in a museum, nor reduced to the mere satisfaction of an aesthetical pleasure.

 

The marvellous works from the XIII, XIV and XV centuries, together with many wooden sculptures from the XIV and XV centuries, are an eye-catcher for main art collectors.

 
 

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The staff of Canova Tadolini will be glad to take care of the clients during their staying. It is possible to arrange a pick up transfers from and to the airports with prestigious cars, guided tour for Museum and Archeological sites, inside and outside Rome, Events and Concerts Reservations, Laundry Service, Shopping Assistance, Baby Sitting Services, Hairdresser, Fax Service in house, Breakfast Rooms Service, Car rental...

CANOVA TADOLINI
Luxury Rooms & Suites
Via del Babuino, 151 - 00187 Roma
Phone +39 06
32609493
Fax +39 06
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